Mackie 2404VLZ4 24-channel 4-Bus FX Mixer w/ USB 2404-VLZ4+Nady In-Ear Monitors

$1,714.98 $1,349.99 Save 21% Sold out
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Product Description
Package Includes:
  • (1) Mackie 2404VLZ4 24-channel 4-Bus FX Mixer w/ USB 2404-VLZ4
  • (1) Nady PEM-1000 Band 2 Wireless In-Ear Monitoring System w/100 UHFChannels
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Video of 2404VLZ4:




Description:

 

MATCHED PERFORMANCE

 

Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the “race to the bottom,” VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.

ONYX PREAMPS

The performance of Mackie’s Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high-priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.

HIGH HEADROOM / LOW NOISE

The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class-leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.

BUILT LIKE A TANK

Mackie VLZ mixers are truly “Built-Like-A-Tank.” From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap-around chassis and features like grime-resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.

VLZ4’s new black powder coat finish, cockpit-inspired controls and high-contrast knobs not only optimize your mixer’s usability in low-light scenarios, it also means your mixer looks as good as it performs.

COMPREHENSIVE AND PROVEN

Mackie’s VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra-compact 402VLZ4 for desktop applications to the tour-friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs.

Features:

  • Mackie 2404VLZ4 24-channel Mixer
  • 24-channel 4-bus mixer featuring Mackie signature high-headroom/low-noise design
  • 20 boutique-quality Onyx mic preamps
    • Ultra-wide 60dB gain range
    • 128.5 dB dynamic range
    • +22 dBu line input handling
    • Extended frequency response
    • Distortion under 0.0007% (20Hz – 50kHz)
  • Improved RF rejection perfect for broadcast applications
  • Phantom power for condenser mics
  • Dedicated inline channel compression for critical inputs (ch. 17-20)
  • 20 high-headroom line inputs with dedicated inserts
  • 3-band EQ with sweepable midrange
  • 18 dB/oct 100Hz low-cut filter on mic input channels
  • Level, pan, solo and overload/mute LEDs on each channel
  • 4 subgroups featuring dedicated inline compressors for total dynamic control
  • 6 aux sends with inserts, pre/post fader and internal/external FX send options
  • 2 stereo returns and 4 group outs with inserts
  • Dual 32-bit RMFX+™ processors featuring 24 “Gig Ready” reverbs, choruses and tap delay for live applications
  • Integrated 4×2 24-bit USB interface
    • Stream subgroups or master L/R to your PC or Mac for recording
    • Use your favorite plug-in live via auxes 5/6
    • Convenient stereo return to mains for music playback or return to channel to implement EQ, auxes and more
  • PFL/AFL solo modes
  • 60mm long-wearing log-taper faders
  • High-resolution 12-segment stereo meters
  • Sealed rotary control resist dust and grime
  • “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
  • High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
  • Universal power supply for worldwide use

Details:

  • Main Mix Noise:  (20 Hz–20 kHz bandwidth, 1/4" main out, channel  gains @ unity, channel EQs flat, all channels assigned to main mix, odd  channels
                                 panned left, even channels panned right.)
  • Main mix fader unity, channel faders down:  –87.0 dBu (–91.0 dB  Signal to Noise Ratio, ref +4 dBu)
  • Main mix fader @ unity, channel faders @ unity: –81.5 dBu
  • Total Harmonic Distortion (THD) (1 kHz @ 15 dB gain, 20 Hz–20 kHz  bandwidth)
    • Mic in to insert send <0.001%
    • Mic in to main out <0.005%
  • Attenuation / Crosstalk: (1 kHz relative to +10 dBu, 20 Hz–20 kHz  bandwidth, mic in, 1/4" main out, gain @ unity)
    • Channel mute switch engaged: –90 dBu
    • Channel fader down: –88 dBu
  • Frequency Response
    • Mic input to main output (gain @ unity): +0, –1 dB, 20 Hz to 50 kHz
                                                                    +0, –3 dB, <10 Hz to >100 kHz
  • Equivalent Input Noise (EIN) (Mic input to insert send out, max gain)
    • 150 Ohm termination –128.5 dBu
                                          20 Hz–20 kHz
  • Common Mode Rejection Ratio (CMRR)
    • 1 kHz better than –70 dB
  • Maximum Levels
    • Mic in: +21 dBu
    • All other inputs: +21 dBu
    • Main mix XLR out: +27 dBu
    • All other outputs: +21 dBu
  • Impedances
    • Mic in: 2.7 k Ohm
    • Channel insert return: 2.5 k Ohm
    • All other inputs: 10 k Ohm or greater
    • Tape out: <10 Ohm
    • All other outputs: 120 Ohm
  • 3-Band EQ (mono channels)
    • High Shelving: ±15 dB @ 12 kHz
    • Mid Peaking: ±15 dB sweep 100 Hz – 8 kHz
    • Low Shelving: ±15 dB @ 80 Hz
    • Low Cut Filter: 18 dB/octave, –3 dB @ 100 Hz
  • 4-Band EQ (stereo channels)
    • High Shelving ±15 dB @ 12 kHz
    • Hi Mid Peaking ±15 dB @ 2.5 kHz
    • Low Mid Peaking ±15 dB @ 400 Hz
    • Low Shelving ±15 dB @ 80 Hz
  • USB
    • Format: USB 1.1
    • I/O: Stereo Input, 4 Channel Output
    • A/D/A: 24 bit, 44.1 kHz / 48 kHz
  • AC Power Requirements
    • Power Consumption: 55 watts
    • US, JP: 100 – 120 VAC, 50 – 60 Hz
    • EU, UK, AU, CN: 200 – 240 VAC, 50 – 60 Hz
  • Operating Temperature: 0° – 40°C/32° – 104°F
  • Physical Properties (product)
    • Front Height: 1.8 in / 46.3 mm
    • Rear Height: 6.0 in / 153 mm
    • Depth: 19.1 in / 486 mm
    • Width: 29.4 in / 748 mm
    • Weight: 31.0 lb / 14.1 kg
  • Physical Properties (packaged product)
    • Height: 10.6 in / 269 mm
    • Depth: 23.0 in / 584 mm
    • Width: 33.9 in / 861 mm
    • Weight: 37.0 lb / 16.8 kg

Features of PEM-1000 BAND 2:

  • Nady PEM-1000 Wireless In-Ear Monitoring System
  • 100 selectable UHF frequencies for interference-free performance (Up to 8 systems can operate simultaneously)
  • System consists of one PEM-1000T transmitter and one PEM-1000R body pack receiver. (Unlimited additional PEM-1000R receivers can operate with the same transmitter)
  • Easy setup and use with either automatic Auto scan or manual open-frequency selection, and ASC™ infrared synchronization of selected channel between transmitter and receivers
  • Rugged, all-metal half-rack transmitter. Rack mountable singly or side-by-side with optional rack kits.
  • Both transmitter and receiver offer a user-friendly menu with complete control options shown in the LCD display
  • Proprietary companding circuitry for wide Dynamic Range and clear, natural sound
  • Includes lightweight, soft rubber, form-fitted ear buds for comfort and optimum acoustics and isolation
  • Operating Range: Up to 500 feet typical (depending on site conditions)
  • Rugged, foam-padded traveling case provides easy, safe transport and storage
  • Latest frequency BAND 2: 583-607.750

PEM-1000T Transmitter:

  • Rugged, all metal half-rack that can be rack mounted singly or side-by-side with optional rack kits
  • Front panel features stereo headphone monitor output jack and volume control, select button for choosing one of 100 UHF channels, Left/Right 5-segment audio input level displays, LCD channel display, and IR SYNC to system receivers
  • Back panel provides BNC jack for the detachable antenna, a combo 1/4" TRS unbalanced, and balanced XLR jacks for Left and Right Line inputs, Left and Right 1/4" TRS unbalanced loop outputs
  • Externally powered by AC-DC power adapter

PEM-1000R Receiver:

  • Portable body pack receiver features a power switch switchable with built-in volume output level control, select button for choosing one of 100 UHF channels, LCD channel display, stereo/mono, Signal/Low Battery LED indicator.
  • Receiver has AUTO-SCAN for finding an open channel and IR SYNC to system transmitter
  • Handy Mute Button for muting audio if desired during use
  • Operates up to 8 hours (depending on volume) on 2x1.5V AA alkaline batteries
  • Each receiver is supplied with a pair of miniature, lightweight (yet powerful) in-ear speakers with soft rubber mounts, designed for "custom" form-fitted comfort and optimum acoustic transfer and isolation.
  • Rear clip can be rotated 180° for attaching receiver either vertically up or down position
  • Latest frequency BAND 2: 583-607.750
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