Mackie 3204VLZ4 32-ch. 4-Bus FX Mixer w/USB 3204-VLZ4+Monitors+Headphones+Stands

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Product Description
Package Includes:
  • (1) New Mackie 3204VLZ4 32-channel 4-Bus FX Mixer w/ USB 3204-VLZ4
  • (2) Presonus Eris E5 - High-Definition 2-way 5.25" Near Field Studio Monitors + 2021 PreSonus Studio One Prime DAW recording software + Studio Magic Plug-In Suite (Over $1000 worth of effects, virtual instruments, and sound libraries)
  • (1) Presonus HD7 Professional Studio Monitoring Headphones Semi-Closed Back
  • (1) Pair of Rockville RHTSB 36" Inch Surround Sound Home Theater Speaker Stands
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Authorized Mackie Dealer!

Video of 3204VLZ4:




Description:

Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the “race to the bottom,” VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.

ONYX PREAMPS

The performance of Mackie’s Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high-priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.

HIGH HEADROOM / LOW NOISE

The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class-leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.

BUILT LIKE A TANK

Mackie VLZ mixers are truly “Built-Like-A-Tank.” From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap-around chassis and features like grime-resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.

VLZ4’s new black powder coat finish, cockpit-inspired controls and high-contrast knobs not only optimize your mixer’s usability in low-light scenarios, it also means your mixer looks as good as it performs.

COMPREHENSIVE AND PROVEN

Mackie’s VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra-compact 402VLZ4 for desktop applications to the tour-friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs.

 Features:

  • Mackie 3204VLZ4 32-channel Mixer
  • 32-channel 4-bus mixer featuring Mackie signature high-headroom/low-noise design
  • 28 boutique-quality Onyx mic preamps
    • Ultra-wide 60dB gain range
    • 128.5 dB dynamic range
    • +22 dBu line input handling
    • Extended frequency response
    • Distortion under 0.0007% (20Hz – 50kHz)
  • Improved RF rejection perfect for broadcast applications
  • Phantom power for condenser mics
  • Dedicated inline channel compression for critical inputs (ch. 25-28)
  • 28 high-headroom line inputs with dedicated inserts
  • Level, pan, solo and overload/mute LEDs on each channel
  • 3-band EQ with sweepable midrange
  • 18 dB/oct 100Hz low-cut filter on mic input channels
  • 4 subgroups featuring dedicated inline compressors for total dynamic control
  • 6 aux sends with inserts, pre/post fader and internal/external FX send options
  • 2 stereo returns and 4 group outs with inserts
  • Dual 32-bit RMFX+™ processors featuring 24 “Gig Ready” reverbs, choruses and tap delay for live applications
  • Integrated 4×2 24-bit USB interface
    • Stream subgroups or master L/R to your PC or Mac for recording
    • Use your favorite plug-in live via auxes 5/6
    • Convenient stereo return to mains for music playback or return to  channel to implement EQ, auxes and more
  • PFL/AFL solo modes
  • 60mm long-wearing log-taper faders
  • High-resolution 12-segment stereo meters
  • Sealed rotary control resist dust and grime
  • “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
  • High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
  • Universal power supply for worldwide use

Details:

  • Main Mix Noise:  (20 Hz–20 kHz bandwidth, 1/4"" main out, channel  gains @ unity, channel EQs flat, all channels assigned to main mix, odd  channels
                                 panned left, even channels panned right.)
  • Main mix fader unity, channel faders down:  –84.5 dBu (–88.5 dB  Signal to Noise Ratio, ref +4 dBu)
  • Main mix fader @ unity, channel faders @ unity: –80.0 dBu
  • Total Harmonic Distortion (THD) (1 kHz @ 15 dB gain, 20 Hz–20 kHz  bandwidth)
    • Mic in to insert send <0.001%
    • Mic in to main out <0.005%
  • Attenuation / Crosstalk: (1 kHz relative to +10 dBu, 20 Hz–20 kHz  bandwidth, mic in, 1/4"" main out, gain @ unity)
    • Channel mute switch engaged: –90 dBu
    • Channel fader down: –88 dBu
  • Frequency Response
    • Mic input to main output (gain @ unity): +0, –1 dB, 20 Hz to 50 kHz
                                                                    +0, –3 dB, <10 Hz to >100 kHz
  • Equivalent Input Noise (EIN) (Mic input to insert send out, max gain)
    • 150 Ohm termination –128.5 dBu
                                          20 Hz–20 kHz
  • Common Mode Rejection Ratio (CMRR)
    • 1 kHz better than –70 dB
  • Maximum Levels
    • Mic in: +21 dBu
    • All other inputs: +21 dBu
    • Main mix XLR out: +27 dBu
    • All other outputs: +21 dBu
  • Impedances
    • Mic in: 2.7 k Ohm
    • Channel insert return: 2.5 k Ohm
    • All other inputs: 10 k Ohm or greater
    • Tape out: <10 Ohm
    • All other outputs: 120 Ohm
  • 3-Band EQ (mono channels)
    • High Shelving: ±15 dB @ 12 kHz
    • Mid Peaking: ±15 dB sweep 100 Hz – 8 kHz
    • Low Shelving: ±15 dB @ 80 Hz
    • Low Cut Filter: 18 dB/octave, –3 dB @ 100 Hz
  • 4-Band EQ (stereo channels)
    • High Shelving ±15 dB @ 12 kHz
    • Hi Mid Peaking ±15 dB @ 2.5 kHz
    • Low Mid Peaking ±15 dB @ 400 Hz
    • Low Shelving ±15 dB @ 80 Hz
  • USB
    • Format: USB 1.1
    • I/O: Stereo Input, 4 Channel Output
    • A/D/A: 24 bit, 44.1 kHz / 48 kHz
  • AC Power Requirements
    • Power Consumption: 65 watts
    • US, JP: 100 – 120 VAC, 50 – 60 Hz
    • EU, UK, AU, CN: 200 – 240 VAC, 50 – 60 Hz
  • Operating Temperature: 0° – 40°C/32° – 104°F
  • Physical Properties (product)
    • Front Height: 1.8 in / 46.3 mm
    • Rear Height: 6.0 in / 153 mm
    • Depth: 19.1 in / 486 mm
    • Width: 38.0 in / 964 mm
    • Weight: 39.0 lb / 17.7 kg
  • Physical Properties (packaged product)
    • Height: 10.6 in / 269 mm
    • Depth: 23.0 in / 584 mm
    • Width: 42.5 in / 1080 mm
    • Weight: 44.0 lb / 20.0 kg

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Video of Eris E5:


Includes:

  • Eris E55
  • Studio one Prime DAW recording/streaming software
  • Studio Magic Plug-In Suite (Over $1000 worth of effects, virtual instruments, and sound libraries)

Description of Eris E55:

When you’re ready to get serious about recording, it’s time to step up to PreSonus Eris-series studio monitors. Cheap computer speakers and home-stereo speakers won’t reveal the truth about your mix. They aren’t designed for that.

In contrast, Eris speakers are real studio monitors, delivering a very accurate response with a tight bass and very clear upper end. That’s what you need in a home studio. Thanks to well-designed Kevlar® low frequency transducers, low-mass silk-dome tweeters, responsive Class AB amplification, and professional acoustic-adjustment controls, Eris delivers the goods.

Yet Eris-series speakers are ultra-affordable, making them a terrific value. And with two models, you can easily find the Eris monitor that best suits your studio needs.

If space is at a premium, or if you want the ultimate in portability, consider the compact Eris E5, which takes up just 7 x 10.24 x 7.68 inches (178 x 260 x 195 mm) and weighs in at just 10.2 lbs (4.63 kg). You can shoehorn this little beauty into almost any studio space.

The E5 sports a 5.25-inch, Kevlar low-frequency driver, mated with a 45W, Class AB amplifier; and a 1-inch (25 mm), silk-dome tweeter powered by a 35W, Class AB amplifier. It can crank out a clean 102 dB SPL, peak. Frequency response is rated at 53 Hz to 22 kHz. For a studio monitor in its size and price class, that’s impressive.

All Eris speakers have front-ported enclosures made of vinyl-laminated, medium-density fiberboard (MDF).

The 2021 PreSonus Studio Magic Plug-In Suite includes over $1000 worth of effects, virtual instruments, and sound libraries in VST, AU, and AAX formats to use in Studio One or your DAW of choice, all created by the best developers in the business.

Connections

Both Eris models provide balanced XLR, balanced ¼” TRS, and unbalanced RCA line-level inputs. When both balanced connections are in use, the TRS input will supersede the XLR input. The RCA input is summed into the signal path.

With this selection, you’ll have no problem hooking your Eris speakers up with virtually any line-level source. (If your signal source has unbalanced, ¼” TS outputs, simply use a ¼”-to-RCA adapter or adapter cable.)

You’re in control!

Today’s music producers deal with a wide variety of musical genres and often work in more than one location. It’s easy to take your Eris speakers with you when you want to work in a different space. It’s almost as easy to customize their sound for your room and type of music.

The most basic control is the Input Gain, which determines the signal level before it reaches the power amp. This is part of gain-staging your overall system—that is, setting the levels for every part of the recording chain in order to get the optimal level of clean audio all the way through. Once you’ve gain-staged your system, you can leave this control alone.

The Eris E5/E8 provides three EQ controls in its Acoustic Tuning section: High, Mid, and Low Cutoff. These controls enable you to fine-tune the monitors and even to broadly approximate the sounds of different types of speakers so you can hear what your mix might sound like, for instance, on a car stereo or portable radio. The Low control also is useful when using the E5 or E8 with a subwoofer.

In addition to the Acoustic Tuning controls, Eris speakers offer a three-position Acoustic Space switch. This switch controls a second-order, low shelving filter that cuts the level of all frequencies below 800 Hz by a specified amount (-2 or -4 dB) to compensate for the boundary bass boost that occurs when the monitor is placed near a wall or corner. If you don’t want to roll of those lows, set it to 0 dB.

This combination of controls lets you create a linear response for accurate monitoring and enables you to simulate different listening environments, so you don’t have to listen to mixes on your car, consumer computer speakers, and home stereo to check how the music sounds with different systems. Instead, you can adjust the Eris monitors’ response and test your mixes without leaving your studio. No other monitors in this price class offer this degree of control.

Safety Matters

Any loudspeaker is subject to an assortment of environmental and performance problems, and Eris monitors offer protection from most common of these. RF shielding protects against radio frequencies that could be induced into the signal and become audible. (If you’ve ever heard a radio broadcast unexpectedly coming out of a guitar amp, that’s the result of RF interference.)

Eris monitors also provide over-temperature protection to avoid heat-related issues, current-output limiting (to prevent damage should there be a short circuit on the speaker terminals), and subsonic protection to filter out extremely low-frequency vibrations that could interfere with the woofer’s performance.

Finally, Eris’ power amplifiers have a “soft startup” so that you don’t get damaging pops in the speakers when you power them up.

Sound Thinking

By now, it should be clear that Eris-series speakers deliver a lot more than you would expect from a budget-priced studio monitors. As you expect from PreSonus, they use quality components, are well constructed, and deliver professional audio quality. They’re lightweight and compact and look as professional as they sound.

But what really sets them apart from comparably priced systems are user controls that allow you to tailor the speakers’ response to your needs.

Features:

  • Presonus Eris E5 Professional High Definition Home Studio Active Monitor
  • 5.25-inch (E5) Kevlar® low-frequency transducer
  • 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
  • 70 (E5) Class AB biamplification
  • Front-firing acoustic port for superior bass-frequency reproduction
  • Midrange (±6 dB, continuously variable), HF (±6 dB, continuously variable), High-Pass (Off, 80 Hz, 100 Hz) and Acoustic Space settings (flat, -2, -4 dB) for accurate mixing contour
  • RF interference, output current limiting, over-temperature, transient, and subsonic protection
  • Optimized, resonance-suppressing internal bracing
  • Balanced XLR/¼-inch and unbalanced RCA inputs
  • 102 dB (E5) maximum continuous SPL

Details:


Description of Studio One:

Studio One Prime provides everything you need to get started in content creation and audio production. Create your own music and podcasts as intuitively as possible with a single-window, drag-and-drop workflow that will make you wonder why you put up with other software that isn’t designed the same way. 

Studio One Prime is designed to keep you in the creative flow by providing powerful tools that help you when you need them—and stay out of your way when you don’t. You’ll supercharge your creativity with its unlimited tracks, buses and a powerful complement of virtual instruments and native effects that sound just as good (and frequently, better) than third-party effects. 

Guitarists will love the new third-generation Ampire tech that has the most realistic amp and cabinet simulations we’ve ever made. Fans of EDM and hip-hop will appreciate Studio One’s Pattern Editor, which allows for intuitive drum and melody composition via a familiar drum-machine inspired UI, which might be just about the most fun and rewarding music-creation technique out there. 

Only Studio One 5 Prime lets you truly create without boundaries—for free. And when you’re ready for more features, it's easy to move up to Studio One Artist, Studio One Professional, or get it all with PreSonus Sphere.

Features:

  • Record, produce, and mix easily, all from a single, intuitive application
  • Intuitive single-window work environment with quick and easy drag-and-drop functionality and multi-touch support
  • Unlimited audio and instrument tracks, virtual instruments, and FX channels
  • Powerful Presence XT virtual sample-player for keyboard and synth sounds
  • Patterns allow for intuitive drum and melody composition via familiar drum machine/step-sequencer style UI
  • NEW! Completely redesigned Native Effects plug-in suite.

Description of Studio Magic:

Make your own magic.

Music creation is a lot like a magic show. You've got an audience to impress and a lot of tricks up your sleeve; success requires a combination of real talent and perhaps a little bit of smoke and mirrors. At PreSonus, we want to make sure that our audio products come with everything you need to craft your own mesmerizing spells in the studio. That’s why we include Studio One Artist with every audio interface and controller product we make, from the 2-channel AudioBox USB 96 to the 64-channel StudioLive 64S, ATOM to FaderPort 16, but we didn’t stop there. Why?

Because here in Louisiana, we have a word: lagniappe. It means “a little something extra,” and it’s in that spirit that we also include the Studio Magic Suite of software with our audio interface products and–new for 2021–our award-winning controllers and studio monitors as well.

The 2021 Studio Magic includes tutorials from Melodics, sound libraries from Ghost Hack, 7 virtual instruments, and 9 effects plug-ins in VST, AU, and AAX formats to use in Studio One 5 Artist or your DAW of choice with a retail value of over $1000 (US).

That means you'll have a broader assortment of spellcasting ingredients for Studio One straight out of the box; all created by the best developers in the business.

You'll be able to go wild with funky R&B drums and synths from beyond the sound of time—or add professional sheen and dynamics to ensure your mixes are a cut above the rest.

Features:

  • Arturia Analog Lab Intro: Analog Lab Intro gives you access to the most iconic synth and keyboard sounds of all time, taken from our 28 expertly-crafted V Collection instrument emulations. From analog synthesizers to revolutionary digital workstations, these are the sounds that made history.
  • Brainworx bx_opto: The Brainworx bx_opto compressor combines the best aspects and anomalies from several legendary, light-dependent compressor circuits. The result is a powerful dynamics processor, teeming with character and delivering sounds that can’t be achieved with analog optical compressors.
  • Brainworx bx_rockrack: The bx_rockrack V3 boasts eight famous amp models in a single plugin. On top of that, 40 impulse responses are included, offering just the right variety of tone and timbre for your guitar rig. Brainworx gives you a powerful selection of perfectly-recorded boutique cabinets captured with complete effects chains from studios featuring great sounding amp rooms and stellar gear. Each amp was painstakingly recorded by professional audio engineers who make their living by capturing tone.
  • Cherry Audio Surrealistic MG-1 Plus Synthesizer: The fun and funky Surrealistic MG-1 Plus Synthesizer from Cherry Audio is a super authentic recreation of the Realistic MG-1 synthesizer sold in Radio Shack stores in the 80's. The Surrealistic MG-1 Plus delivers fat analog tone in spades, along with a unique polyphonic oscillator section, "bell tone" ring modulation, glide, auto repeat note triggering, oscillator sync, and a number of improvements that tremendously expand its capabilities. Surrealistic MG-1 Plus works seamlessly as a plugin inside Studio One and is available in AU, VST, VST3, AAX, and standalone formats
  • Cherry Audio Voltage Nucleus: The ultimate introduction to modular synthesis, Voltage Modular Nucleus is a collection of 22 modules and 67 presets. This package includes all of the fundamentals of subtractive analog synthesis, including oscillators, filters, envelope generators, amplifiers, and mixers, plus a sequencer, arpeggiator, and a full suite of useful utility modules and powerful effects modules. With Voltage Modular Nucleus, you can discover the thrill of patching modules together in new and endlessly creative ways and explore all of the capabilities of Voltage Modular.
  • Ghosthack Essential Sounds: Ghosthack Essential Sounds is the perfect sound pack for music producers and content creators alike. Expect professional one-shots, loops, MIDI files and full music tracks.
  • iZotope Neutron Elements: Neutron Elements is the latest addition to iZotope’s Neutron family of mixing plug-ins featuring futuristic, assistive technology and four fantastic-sounding audio processors: Compressor, EQ, Exciter, and Transient Shaper. Like having a virtual assistant, Neutron Elements will listen to your audio, identify instruments, and offer custom starting points for your mix decisions while leaving the creative control to you. Optimized for mixing, use Neutron Elements on dozens of tracks to diagnose mix problems, carve away muddiness and reveal new sonic possibilities in your mixes.
  • Klanghelm SDRR2tube: Add warmth, depth and character to your tracks with Klanghelm SDRR2tube. SDRR2tube can be a saturation processor, a compressor, an EQ, a bit-crusher, or a subtle stereo widener—or it can simply add movement to your tracks. A comprehensive set of controls enables you to manipulate the character of the saturation to make it sit perfectly in your mix.
  • KV331 Audio Synthmaster Player: SynthMaster Player is a simplified version of SynthMaster with limited editing capabilities designed for users who prefer to use presets rather than designing their own sounds. It comes with 1800 factory presets. Users can edit the 12 easy parameters or the bypass states of layer/global effects assigned for each preset by the sound designer.
  • Lexicon MPX-i Reverb: Lexicon’s MPX-i Reverb delivers seven classic Lexicon plate, hall, chamber, and room reverbs. A streamlined interface and 100 versatile, finely crafted presets enable you to quickly get the sound you want. Input and output metering let you monitor levels at a glance.
  • Mäag Audio EQ2: Mäag Audio EQ2 delivers the sound of the Mäag Audio EQ2 two-band hardware equalizer. Mäag Audio’s EQ design allows for exceptionally low phase shift across all EQ adjustments, which helps maintain the integrity of your mix’s original sound while enhancing the very high “air” frequencies. An input attenuator lets you normalize levels after applying EQ.
  • Melodics: Melodics is the ultimate tool for developing your playing skills and building better practice habits. Musicians around the world are using it to stay motivated with their daily practice, work on their rhythm and timing, and practice with music they love. Unlock an exclusive course of piano lessons for free with your qualifying PreSonus product.
  • Native Instruments REPLIKA: REPLIKA packs two professional quality delays and a powerful diffusion algorithm into a sleek, streamlined interface. Simple to use with a resonant filter and classic phaser built in, REPLIKA is a versatile delay for anything from subtle slapback to warped sheets of noise.
  • Output Movement: Transform any instrument, synth, raw sound or full track in real time with Output Movement, an exciting effects plug-in for the studio or stage that adds powerful rhythms to any input in real-time. Movement’s four rhythm engines with sidechains, proprietary Flux mode, LFOs, step sequencers, and macros blend seamlessly. Analog modeled effects optimized for modulation let you add rhythm with reverb and compressors pumping, filters and EQs opening and closing, delays morphing, and tube distortion warming and cooling.
  • Soundsnap: Soundsnap is home to over 380,00 high quality, project ready, sound effects. Soundsnap members include filmmakers, podcasters, game designers & musicians. Working with some of the worlds best recordists & sound designers guarantees top-quality sound effects ready to be used in your next project. Join the next .wav today by joining the number one SFX source for some of the industries biggest names.
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