Mackie 1202VLZ4 12-channel Analog Low-Noise Mixer w/4 ONYX Preamps+DI Box+Cable

• (1) New Mackie 1202VLZ4 12-channel Compact Analog Low-Noise Mixer w/ 4 ONYX Preamps
  
• (1) Rockville RDI5 DI Box Converts Guitar/Instrument Signal to Balanced Line Level
  
• (1) Rockville RCXMB10B 10' Male REAN XLR to 1/4'' TRS Cable Black 100% Copper
  

Video of 1202VLZ4:

Description:

MATCHED PERFORMANCE

Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the “race to the bottom,” VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.

ONYX PREAMPS

The performance of Mackie’s Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high-priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.

HIGH HEADROOM / LOW NOISE

The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class-leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.

BUILT LIKE A TANK

Mackie VLZ mixers are truly “Built-Like-A-Tank.” From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap-around chassis and features like grime-resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.

VLZ4’s new black powder coat finish, cockpit-inspired controls and high-contrast knobs not only optimize your mixer’s usability in low-light scenarios, it also means your mixer looks as good as it performs.

COMPREHENSIVE AND PROVEN

Mackie’s VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra-compact 402VLZ4 for desktop applications to the tour-friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs.

Features:

• Mackie 1202VLZ4 12-channel Compact Mixer
• 12-channel mixer featuring Mackie signature high-headroom/low-noise design
  • 4 boutique-quality Onyx mic preamps
  • Ultra-wide 60dB gain range
  • 128.5 dB dynamic range
  • +22 dBu line input handling
  • Extended frequency response
  • Distortion under 0.0007% (20Hz – 50kHz)
• Improved RF rejection perfect for broadcast applications
• Phantom power for condenser mics
• 12 high-headroom line inputs
• 4 balanced inserts perfect for integrating outboard gear
• 3-band EQ (80Hz, 2.5kHz, 12kHz)
• 18 dB/oct 75Hz low-cut filter on mic input channels
• 2 aux sends, level, pan and PFL solo on each channel
• 2 stereo returns for connecting FX processor or other stereo source
• ALT 3/4 stereo bus for added routing flexibility
• Control room / phones source matrix
• High-resolution 12-segment stereo meters
• Sealed rotary controls resist dust and grime
• “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
• High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
• Rack-mountable design using optional rack ear kit
• Multi-voltage power supply for worldwide use

Details:

• Main Mix Noise
• (20 Hz–20 kHz bandwidth, 1/4" main out, channels 1-4 gain @ unity, channel EQs flat, all channels assigned to main mix, channels 1 and 3 panned  left, 2 and 4 panned right.)
• Main mix knob down, channel gain knobs down: –100 dBu
• Main mix knob @ unity, channel gain knobs down: –86.5 dBu
• (90 dB Signal to Noise Ratio, ref +4 dBu)
• Main mix knob @ unity, channel gain knobs @ unity: –84.5 dBu
• Total Harmonic Distortion (THD)
• (1 kHz @ 30 dB gain, 20 Hz–20 kHz bandwidth) Mic pre @ insert <0.0007%
• Attenuation / Crosstalk
• (1 kHz relative to 0 dBu, 20 Hz–20 kHz bandwidth, line in,
  1/4"main out, gain @ unity)
• Main mix knob down: –75 dBu
• Channel Alt / Mute switch engaged: –85 dBu
• Channel gain knob down: –87 dBu
• Frequency Response Mic input to main output (gain @ unity)
• +0, –1 dB, 20 Hz to 50 kHz
• +0, –3 dB, <10 Hz to >100 kHz
• Equivalent Input Noise (EIN)(Mic input to insert send out, max gain)
• 150 O termination: –128.5 dBu, 20 Hz–20 kHz
• Common Mode Rejection Ratio (CMRR)
• 1 kHz: better than –70 dB
• Maximum Levels
• Mic in: +22 dBu
• Tape in: +16 dBu
• All other inputs: +22 dBu
• Main mix XLR out: +28 dBu
• All other outputs: +22 dBu
• Impedances
• Mic in: 2.5 k Ohm
• Channel insert return: 2.5 k Ohm
• All other inputs: 10 k Ohm or greater
• Tape out: 1.1 k Ohm
• All other outputs: 120 Ohm
• EQ
• High Shelving: ±15 dB @ 12 kHz
• Mid Peaking: ±15 dB @ 2.5 kHz
• Low Shelving: ±15 dB @ 80 Hz
• AC Power Requirements
• Power Consumption: 25 watts
• US, JP: 100 – 120 VAC, 50 – 60 Hz
• EU, UK, AU, CN: 200 – 240 VAC, 50 – 60 Hz
• Operating Temperature: 0 ° – 40 °C, 32 ° – 104 °F
• Fuse Rating
• 100-120V: 500 mA slo blo, 5 x 20 mm
• 220-240V: 250 mA slo blo, 5 x 20 mm
• Physical Properties (product)
• 10.7" x 3" x 11"
• Weight 6.5 lb / 3.0 kg
• Physical Properties (packaged product)
• 6" x 14" x 13"
• Weight 8.0 lb / 3.6 k

Video of RDI5:

What makes ours better:

• Larger transformer deliver true 600 ohm output
• Thick steel chassis for reliable performance
• 50K ohm parallel link jack enables you to connect the output from the RDI5 directly to power amplifiers without a separate pre-amplifier
• Matches the signal level and impedance with unity gain, with no adverse effects on the source signal

• Connect your electric guitar or bass to a mixer or recording interface
• Connect your keyboards directly to a mixer or recording interface
• Convert a DJ mixer that is unbalanced to a balanced signal
• Allows you to feed effects directly to your mixer. The RDI5 has the capability to accept speaker level inputs from a power amplifier’s output. This allows eq and effects signals to be fed directly to the console.

• Rockville RDI5 Passive DI Box - Converts Guitar/Instrument or other Signal to Balanced Line Level
• Switchable input attenuation
• 0dB for electric guitar and bass pickups
• -20dB for line level signals, such as keyboards and cd players
• -40dB for speaker feeds
• Input Connectors: 1/4" TRS Jack connectors
• Output Connector: XLR Connector
• 50K ohm instrument input
• 50K ohm parallel link jack
• Matches the signal level and impedance with unity gain, with no adverse effects on the source signal
• 600 Ohm XLR output jack - enables you to send a balanced signal to a mixer
• We use a transformer that is 2-3 times larger than most other ones on the market to give you true 600 ohm output
• The 50K ohm parallel link jack output enables you to connect the output from the RDI5 directly to power amplifiers without a separate pre-amplifier
• Switchable ground lift to help eliminate hum caused by ground loops
• Thick steel Chassis is sturdy and strong
• Frequency Response: 10 Hz – 50KHz@ +4dB
• Dimensions: 5.04” x 2.95” x 1.57”
• Weight: 1.33 Lbs

Video of RCXMB10-B:

Description:

All Rockville pro audio cables are made with 100% copper which boosts the efficiency of the cable. There is nothing better than 100% copper. Most of the cheaper cables on the market do not use 100% copper, instead they make their cables with CCA (Copper Clad Aluminum). CCA cables do not perform on the level that 100% copper cables perform at. CCA will not conduct signals efficiently. A 12 gauge CCA cable will not even perform as well as a 14 gauge 100% pure copper cable, which will in turn, affect the performance and longevity of your equipment. If you find cables on the market that do not mention the copper content, there is a good chance that they are selling you a cheaper cable that is CCA and not 100% copper. Rockville pays an inspection company to oversee the manufacturing of the product to ensure that we provide a 100% Oxygen Free Copper Cable (OFC). Our OFC cables are less prone to oxidation, and will provide maximum signal transfer.

The other important factor of a cable is the shielding. Most of the good brands on the market have about 85% shielding coverage, so we decided to take our shielding a step further. Rockville cables are shielded with a tight copper mesh, covering 90% of the cable! The high percentage of coverage increases the ability to absorb the Electromagnetic Interference (EMI) and Radio Frequency Interference (RFI) that suppresses signal and degrades the performance of equipment. Rockville Cable’s copper shielding provides great flexibility, maintains a durable structural integrity, while decreasing signal interference ensuring enhanced signal clarity with every use.

Features:

• Rockville RCXMB10-B Black Nickel Plated REAN XLR Male to 1/4'' TRS Cable
• 24 AWG 100% Copper Conductors for Enhanced Signal Clarity
• 90% OFC Spiral Shield for Effective EMI and RFI Rejection and  Flexibility
• Length: 10 Ft
• Color: Black

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