Mackie 1604VLZ4 Mixer 16-Channel Compact Analog 4-Bus w/ 16 ONYX Preamps
Product Description
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Description:
Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the “race to the bottom,” VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus
ONYX PREAMPS
The performance of Mackie’s Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high-priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.
HIGH HEADROOM / LOW NOISE
The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class-leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.
BUILT LIKE A TANK
Mackie VLZ mixers are
VLZ4’s new black powder coat finish, cockpit-inspired
COMPREHENSIVE AND PROVEN
Mackie’s VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra-compact 402VLZ4 for desktop applications to the tour-friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs.
Features:
- New Mackie 1604VLZ4 16-channel Compact Mixer
- 16-channel mixer featuring Mackie signature high-headroom/low-noise design
- 16 boutique-quality Onyx mic preamps
- Ultra-wide 60dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20Hz – 50kHz)
- Phantom power for studio condenser mics
- Improved RF rejection perfect for broadcast applications
- Phantom power for condenser mics
- 16 high-headroom line inputs with +4/-10 operation control
- 16 balanced inserts perfect for integrating outboard gear
- 3-band EQ with sweepable midrange
- 18 dB/oct 75Hz low-cut filter on mic input channels
- 4 aux sends, level, pan, solo and overload/mute LEDs on each channel
- 4 stereo returns, 8 direct outs and 4 group/bus outputs
- 60mm long-wearing log-taper faders
- Control room / phones multi-input source matrix
- High-resolution 12-segment stereo meters
- Sealed rotary control resist dust and grime
- “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
- Rack-mountable design with three physical configurations via Rotopod accessory (sold separately)
- Multi-voltage power supply for worldwide use
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