Mackie 2404VLZ4 24-channel Mixer+AT2041SP Recording Mics+Headphones+XLR Cable

$1,844.18 $1,282.80 Save 30% Sold out
Shipping calculated at checkout.
Product Description
Package Includes:
  • (1) Mackie 2404VLZ4 24-channel 4-Bus FX Mixer w/ USB
  • (1) Audio Technica AT2041SP AT2020 + AT2021 Studio Condenser Microphones
  • (1) Audio Technica ATH-M30X Professional Studio Monitor Collapsible Headphones
  • (1) Hosa MCL-125 25' Foot 3 Pin XLR Female to Male Microphone Cable

Authorized Mackie Dealer!

Video of 2404VLZ4:




Description:

 
MATCHED PERFORMANCE

Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the “race to the bottom,” VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.

ONYX PREAMPS

The performance of Mackie’s Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high-priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.

HIGH HEADROOM / LOW NOISE

The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class-leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.

BUILT LIKE A TANK

Mackie VLZ mixers are truly “Built-Like-A-Tank.” From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap-around chassis and features like grime-resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.

VLZ4’s new black powder coat finish, cockpit-inspired controls and high-contrast knobs not only optimize your mixer’s usability in low-light scenarios, it also means your mixer looks as good as it performs.

COMPREHENSIVE AND PROVEN

Mackie’s VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra-compact 402VLZ4 for desktop applications to the tour-friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs.

 Features:

  • Mackie 2404VLZ4 24-channel Mixer
  • 24-channel 4-bus mixer featuring Mackie signature high-headroom/low-noise design
  • 20 boutique-quality Onyx mic preamps
    • Ultra-wide 60dB gain range
    • 128.5 dB dynamic range
    • +22 dBu line input handling
    • Extended frequency response
    • Distortion under 0.0007% (20Hz – 50kHz)
  • Improved RF rejection perfect for broadcast applications
  • Phantom power for condenser mics
  • Dedicated inline channel compression for critical inputs (ch. 17-20)
  • 20 high-headroom line inputs with dedicated inserts
  • 3-band EQ with sweepable midrange
  • 18 dB/oct 100Hz low-cut filter on mic input channels
  • Level, pan, solo and overload/mute LEDs on each channel
  • 4 subgroups featuring dedicated inline compressors for total dynamic control
  • 6 aux sends with inserts, pre/post fader and internal/external FX send options
  • 2 stereo returns and 4 group outs with inserts
  • Dual 32-bit RMFX+™ processors featuring 24 “Gig Ready” reverbs, choruses and tap delay for live applications
  • Integrated 4×2 24-bit USB interface
    • Stream subgroups or master L/R to your PC or Mac for recording
    • Use your favorite plug-in live via auxes 5/6
    • Convenient stereo return to mains for music playback or return to channel to implement EQ, auxes and more
  • PFL/AFL solo modes
  • 60mm long-wearing log-taper faders
  • High-resolution 12-segment stereo meters
  • Sealed rotary control resist dust and grime
  • “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
  • High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
  • Universal power supply for worldwide use

Details:

  • Main Mix Noise:  (20 Hz–20 kHz bandwidth, 1/4" main out, channel  gains @ unity, channel EQs flat, all channels assigned to main mix, odd  channels
                                 panned left, even channels panned right.)
  • Main mix fader unity, channel faders down:  –87.0 dBu (–91.0 dB  Signal to Noise Ratio, ref +4 dBu)
  • Main mix fader @ unity, channel faders @ unity: –81.5 dBu
  • Total Harmonic Distortion (THD) (1 kHz @ 15 dB gain, 20 Hz–20 kHz  bandwidth)
    • Mic in to insert send <0.001%
    • Mic in to main out <0.005%
  • Attenuation / Crosstalk: (1 kHz relative to +10 dBu, 20 Hz–20 kHz  bandwidth, mic in, 1/4" main out, gain @ unity)
    • Channel mute switch engaged: –90 dBu
    • Channel fader down: –88 dBu
  • Frequency Response
    • Mic input to main output (gain @ unity): +0, –1 dB, 20 Hz to 50 kHz
                                                                    +0, –3 dB, <10 Hz to >100 kHz
  • Equivalent Input Noise (EIN) (Mic input to insert send out, max gain)
    • 150 Ohm termination –128.5 dBu
                                          20 Hz–20 kHz
  • Common Mode Rejection Ratio (CMRR)
    • 1 kHz better than –70 dB
  • Maximum Levels
    • Mic in: +21 dBu
    • All other inputs: +21 dBu
    • Main mix XLR out: +27 dBu
    • All other outputs: +21 dBu
  • Impedances
    • Mic in: 2.7 k Ohm
    • Channel insert return: 2.5 k Ohm
    • All other inputs: 10 k Ohm or greater
    • Tape out: <10 Ohm
    • All other outputs: 120 Ohm
  • 3-Band EQ (mono channels)
    • High Shelving: ±15 dB @ 12 kHz
    • Mid Peaking: ±15 dB sweep 100 Hz – 8 kHz
    • Low Shelving: ±15 dB @ 80 Hz
    • Low Cut Filter: 18 dB/octave, –3 dB @ 100 Hz
  • 4-Band EQ (stereo channels)
    • High Shelving ±15 dB @ 12 kHz
    • Hi Mid Peaking ±15 dB @ 2.5 kHz
    • Low Mid Peaking ±15 dB @ 400 Hz
    • Low Shelving ±15 dB @ 80 Hz
  • USB
    • Format: USB 1.1
    • I/O: Stereo Input, 4 Channel Output
    • A/D/A: 24 bit, 44.1 kHz / 48 kHz
  • AC Power Requirements
    • Power Consumption: 55 watts
    • US, JP: 100 – 120 VAC, 50 – 60 Hz
    • EU, UK, AU, CN: 200 – 240 VAC, 50 – 60 Hz
  • Operating Temperature: 0° – 40°C/32° – 104°F
  • Physical Properties (product)
    • Front Height: 1.8 in / 46.3 mm
    • Rear Height: 6.0 in / 153 mm
    • Depth: 19.1 in / 486 mm
    • Width: 29.4 in / 748 mm
    • Weight: 31.0 lb / 14.1 kg
  • Physical Properties (packaged product)
    • Height: 10.6 in / 269 mm
    • Depth: 23.0 in / 584 mm
    • Width: 33.9 in / 861 mm
    • Weight: 37.0 lb / 16.8 kg

AT2041SP Includes:

  • AT2020 Side-address cardioid condenser microphone
  • AT2021 Small-diaphragm cardioid condenser microphone
  • SONAR LE recording software
  • Pivoting, threaded stand mount for the AT2020
  • Professional stand clamp for the AT2021
  • Two protective pouches
Studio miking essentials
The AT2041SP Studio Pack offers two versatile 20 Series condenser microphones for use in home, project and commercial studios. Equally at home with digital and analog recording devices, the two included studio condensers deliver remarkable specs and superior build. The critically acclaimed AT2020 side-address condenser is ideal for vocal and instrument applications, while the new AT2021 small-diaphragm condenser is a natural for acoustic instruments, overheads, hi-hat and piano.

Audio-Technica’s stringent quality/consistency standards set both microphones apart from other mics in their class. Each offers a wide dynamic range and handles high SPLs with ease. An innovative pivoting stand mount is included along with a microphone clip and protective pouches.

Now with SONAR LE
The AT2041SP now comes bundled with Cakewalk’s SONAR LE feature-rich recording software for musicians using PC-based recording. SONAR LE provides a cutting-edge music production studio, giving users what they need to get started creating music on Windows XP, X64, or Vista PCs.

Features:

  • AT2020 Side-address cardioid condenser microphone
    • The price/performance standard in side-address studio condenser microphone technology
    • Ideal for project/home-studio applications
    • High SPL handling and wide dynamic range provide unmatched versatility
    • Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response
    • Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
    • Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone
  • AT2021 Small-diaphragm cardioid condenser microphone
    • Ideal for acoustic guitar, overheads, piano and group vocals
    • Condenser design for studio-quality vocal and instrument applications
    • Excels in high-SPL applications
    • Extended response for smooth, natural sonic characteristics
    • Low-mass element for superb transient response
    • Corrosion-resistant contacts from gold-plated XLRM-type connector
    • Rugged design and construction for reliable performance
    • Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

Specifications:

  • Element:
    • Fixed-charge back plate
    • Permanently polarized condenser
  • Polar Pattern: Cardioid
  • Frequency Response:
    • AT2020: 20-20,000 Hz
    • AT2021: 30-20,000 Hz
  • Open Circuit Sensitivity:
    • AT2020: –37 dB (14.1 mV) re 1V at 1 Pa
    • AT2021: –39 dB (11.2 mV) re 1V at 1 Pa
  • Impedence:
    • AT2020: 100 ohms
    • AT2021: 250 ohms
  • Maximum Input Sound Level:
    • AT2020: 144 dB SPL, 1 kHz at 1% T.H.D.
    • AT2021: 145 dB SPL, 1 kHz at 1% T.H.D.
  • Noise:
    • AT2020: 20 dB SPL
    • AT2021: 19 dB SPL
  • Dynamic Range (typical):
    • AT2020: 124 dB, 1 kHz at Max SPL
    • AT2021: 126 dB, 1 kHz at Max SPL
  • Signal-To-Noise Ratio:
    • AT2020: 74 dB, 1 kHz at 1 Pa
    • AT2021: 75 dB, 1 kHz at 1 Pa
  • Phantom Power Requirements: 48V DC, 2 mA typical
  • Weight:
    • AT2020: 12.1 oz (345 g)
    • AT2021: 2.9 oz (83 g)
  • Dimensions:
    • AT2020: 6.38" (162.0 mm) long, 2.05" (52.0 mm) maximum body diameter
    • AT2021: 4.00" (101.5 mm) long, 0.83" (21.0 mm) maximum body diameter
  • Output Connector: Integral 3-pin XLRM-type
  • Accessories Furnished:
    • AT2020:
      • Stand mount for 5/8"-27 threaded stands
      • 5/8"-27 to 3/8"-16 threaded adapter
      • Soft protective pouch
    • AT2021:
      • Stand clamp
      • Soft protective pouch
Description of ATH-M30X:

The M-Series ATH-M30x professional monitor headphones combine modern engineering and high-quality materials to deliver a comfortable listening experience, with enhanced audio clarity and sound isolation. Tuned for highly detailed audio, with strong mid-range definition, these versatile monitoring headphones are ideal in a variety of situations. Designed primarily for studio tracking and mixing, they offer added features for increased portability, making them a great choice for field recording. 

More About the M-Series Headphones 
Critically acclaimed M-Series professional monitor headphones deliver accurate audio and outstanding comfort, perfect for long sessions in the studio and on the go. Contoured earcups seal tight for excellent sound isolation, with minimal bleed. And the pro-grade materials are durable, yet comfortable. Find out why online reviewers, top audio engineers, and cult followers agree, M-Series is an unmatched combination of audio and build-quality that gets the job done. Hour after hour, year after year.

Features:

  • Audio Technica ATH-M30X Professional Studio Monitor Collapsible Headphones
  • Advanced build quality and engineering
  • 40 mm drivers with rare earth magnets and copper-clad aluminum wire voice coils
  • Tuned for enhanced detail, with excellent mid-range definition
  • Circumaural design contours around the ears for excellent sound isolation in loud environments
  • Convenient single-side cable exit
  • Collapsible for space-saving portability
  • Designed to excel for studio tracking, mixing and field recording
  • Type: Closed-back dynamic
  • Driver Diameter: 40 mm
  • Magnet: Neodymium
  • Voice Coil: Copper-clad aluminum wire
  • Frequency Response: 15 - 22,000 Hz
  • Maximum Input Power: 1,300 mW at 1 kHz
  • Sensitivity: 96 dB
  • Impedance: 47 ohms
  • Weight: 220 g (7.8 oz), without cable and connector
  • Cable: 3.0 m (9.8'), straight, left-side exit
  • Accessories Included: Protective carrying pouch, 6.3 mm (1/4“) screw-on adapter
Features of MCL-125:
  • Hosa MCL-125 25' Foot XLR3F to XLR3M Microphone Cable
  • XLR connectors with internal strain relief for rugged reliability
  • Oxygen-Free Copper (OFC) conductors for enhanced signal clarity
  • Hi-density OFC braided shield for superior EMI and RFI rejection
About Hosa:

Hosa specializes in manufacturing the top pro audio, and musical instrument accessories. They are known to be the leading supplier in the industry. They have been around since 1984 and have created a reputation for themselves of manufacturing reliable cables. Entry level companies use mostly aluminum in their cables while Hosa uses high purity copper in their cables.

During the 25+ years in operation, Hosa Technology has kept pace with the latest technological advancements. The result of all the hard work from the management over at Hosa is achieving the goals of creating Dependable Quality Cables at Real World Prices. This goal was achieved by utilizing the newest technologies and having an efficient manufacturing process un-matched by other factories.
Shipping & Returns

Row content