Izotope Home Studio Vocal Bundle Upgrade From Rx Software

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Product Description
Description

Celemony Melodyne 5 Essential

The easy way to begin - with Celemony Melodyne 5 Essential, you edit your vocals using the basic functions for pitch and timing. Musical, quick and easy. And if you need more, you can always upgrade, paying only the difference.

New in Melodyne 5

New technologies, for better results in less time. Thanks to the fundamentally improved “Melodic” algorithm, Melodyne makes your vocal editing even better than before. With perfect, natural corrections at the press of a key. Thanks to the Chord Track, you can adapt notes with lightning speed to suit the song – chord recognition included. And with the unique Fade Tool, you can create note-based fades – even in polyphonic recordings and samples.

All this is new

  • The ability to edit pitched and noise-like components separately with the “Melodic” algorithm
  • A more musical analysis of pitch deviations
  • Chord Track and Chord Grid for pitch editing, chord recognition
  • Fade Tool and Leveling Macro for editing dynamics
  • Additional algorithm (“Percussive Pitched”) plus other algorithm improvements
  • Search functions for keyboard shortcuts, saving of shortcut sets

Vocals, Now Even Better

Melodyne heightens its core competence. The “Melodic” algorithm used for vocals can now distinguish the unpitched, noise-like components of a note – i.e. voiceless consonants (such as sibilants like “s”) and breath sounds – from its pitched components. Even when they coincide. And although all pitch and timing changes are implemented in the tried-and-tested manner as far as the pitched components are concerned, different rules that emulate accurately the natural behavior of the human voice govern the handling of sibilants. So now when you are working with Melodyne, you obtain the highest possible sound quality and most natural-sounding results automatically.

Pros will be relieved to discover it’s no longer necessary to isolate each individual sibilant by hand. That saves a lot of time and makes for a more meaningful display in the Note Editor. At the same time, the results sound far better, as automation works more precisely and overlaps between sibilants and pitched components are taken into account.

Sibilant detection not only yields acoustic advantages but also new creative possibilities : With the Sibilant Tool, you can adjust the balance between the sibilants and the pitched components of a note. Sibilants can be attenuated, muted altogether, emphasized or even isolated – everything is possible. So, into the bargain, you get a perfect de-esser that only affects the problem areas and has no side-effects on other components of the vocal sound.

Modeled on Human Hearing

Why do some notes sound out of tune and not others? Fluctuations in pitch contribute to the quality of a vocal performance, because it is through them that passion and emotional complexity find expression. They give it, in other words, its human dimension. But for their contribution to be a positive one, the nature, scope and precise timing of such fluctuations is of crucial importance.

A note doesn’t necessarily sound sharp or flat just because it isn’t “spot on” mathematically. Just particular, often very brief segments of the note annoy us. Sometimes at the beginning, sometimes at the end, sometimes somewhere in between. It is these crucial segments that have to be perfectly in tune; if they are, the note will sound right to us. The presence of any fluctuations before or after to such segments doesn’t trouble us – to the contrary, we feel they add life to the performance and sound natural.

Melodyne now identifies these problem areas precisely, and the offset shown in the Note Inspector is calculated from the pitch of each note at the crucial moment only – not its entire lifetime. As a result, double-clicking (to set a note’s offset to zero) now yields precisely the right musical result. Also the macro profits from this new, even more musical approach : Each individual note is pitched to perfection. Yet everything still sounds natural and alive.

The Chord Track and Chord Grid

Work better with chords, adapt notes quickly. Melodyne 5 offers you a chord track that is linked to the Pitch Grid in the Note Editor. This makes working with chords far more enjoyable and harmonies more transparent. Because you can see at any time which pitches are compatible with the current chord and can adapt the notes accordingly with lightning speed. This is helpful when you’re altering chords, and if you want to match any sample harmonically to your music, it works like a dream.

Autopilot for chords. Melodyne’s chord recognition technology is so advanced, it can consider tracks apart or together – even the entire mix – and identify the chords formed when their notes are combined. It analyses your recordings fast and reliably and fills in the Chord Track automatically. This makes working with chords even easier.

Dynamics Functions

Note-based fades. The Fade Tool gives you highly effective control over the dynamics of your recording. For each note individually. Even within a chord. This is unique and offers totally new creative possibilities for dynamic editing. And since in Melodyne the fades belong to the notes, they are automatically preserved when the notes are moved or copied.

Controlling the dynamic range. The Leveling Macro makes loud notes quieter and quiet ones louder, it adjusts volume disparities. Even – thanks to Melodyne technology – in polyphonic recordings. So if one or more notes in a chord are too quiet and being drowned out by the rest, you can raise them effortlessly to the desired level.

Further Algorithm Improvements

“Percussive Pitched” : This new algorithm was developed especially for instruments like tabla, berimbau or 808-kick, the notes of which – though percussive in character – still have a recognizable pitch. “Robust Pitch Curve” : With this new option, you can obtain better sound quality when editing certain signals, such as those with a great deal of reverberation. When it is activated, the monophonic algorithms employ a pitch curve that has been slightly smoothed out. “Complex” : This algorithm playback type has been improved and can now be used just as flexibly as the playback type “Tonal” concerning the formants.

Features

Perfect For Music and Smaller Post Production Studios

  • Includes everything in RX Elements
  • Isolate and remove vocals or rebalance mix elements with Music Rebalance
  • Independently adjust time and pitch with Variable Time and Variable Pitch
  • Eliminate noise issues with the magic of Spectral Repair
  • Remove instrument mic bleed with the De-bleed module
  • Easily fix vocal issues like sibilance, breath, and mouth clicks
  • Instantly repair multiple files at once with Composite View

Rebalance The Musical Elements of a Mix

Are the vocals too quiet or the drums too loud? Can’t find the original stems to your song? With Music Rebalance, no mix is “final.” Using an algorithm trained with machine learning, Music Rebalance can intelligently identify vocals, bass, percussion, and other instruments and allows you to individually enhance or isolate elements of a stereo audio track, making remastering without multitracks possible.

Repair Assistant (New in Rx7)

  • Variable Time (Standard Only - NEW in RX7): Adjust the time stretch amount of an audio selection without altering its pitch
  • Variable Pitch (Standard Only - NEW in RX7): Adjust the pitch of an audio selection while preserving the time and length
  • De-bleed : Remove headphone bleed from an acoustic guitar track, click track bleed from a vocal take, and fix other signal bleed issues
  • De-ess : Tame overly aggressive sibilance, the new Spectral De-ess mode transparently attenuates sibilance with iZotope’s Spectral Shaping technology
  • Mouth De-click : Remove distracting mouth noise with the new low-latency Mouth De-click
  • Spectral Repair : Visually paint away audio problems like ringing cell phones, birds, and squeaky bass drum pedals
  • Voice De-noise : Fine-tuned for vocal application, reduce unwanted steady state or changing background noise like air conditioning, refrigerator hum, and amp hiss
  • De-plosive : Transparently repair unwanted plosives with a single click
  • Spectral De-noise : Attenuate amp buzz, tape hiss, and other unwanted steady state background noise
  • De-click : Clean up vinyl clicks, soften up click-y bass guitars and more, the new low-latency algorithm enables you to use De-click right within your DAW or NLE without introducing sync issues
  • De-clip : Repair digital and analog clipping artifacts to restore distorted audio
  • De-hum : Remove ground loop hum and line noise
  • Composite View : Fix problems picked up by multiple microphones by editing multiple files at once

System Requirements

  • Operating systems : Mac OS X 10.8.5 (Mountain Lion) - macOS 10.13 (High Sierra; Windows 7 - 10
  • Plug-in formats: Audio Unit (32 & 64-bit), AAX (64-bit, real-time), AAX-AS (64-bit, Audiosuite), RTAS (32-bit, real-time), DPM-AS (32-bit, Audiosuite), VST 2 (32 & 64-bit), VST 3 (32 & 64-bit)

Nectar 3

  • Component RX 7 Breath Control plug-in for reducing unwanted breaths without sacrificing audio quality with the power of iZotope RX 7
  • Melodyne 4 essential for GRAMMY-award winning time and pitch correction
  • iZotope Relay : your hub for intelligently connecting your entire mix to your iZotope plug-in collection.
  • Hundreds of professionally-designed presets for music and dialogue applications
  • Delay : Two brand new modes and new independent controls for stereo support
  • De-esser : New interactive threshold design experience that can be auto-set with Vocal Assistant
  • Saturation : Two new Saturation modes, Decimate and Distort
  • Harmony : Increased number of voices you can add from 4 to 8, improvements to MIDI mode experience for easier playability
  • EQ: Ability to add two EQ instances of up to 24 bands with Dynamic processing for frequency and pitch
  • Compressor : Ability to add two Compressors. New interactive threshold design with interactive visualization
  • Reverb : Additional third EQ node for additional shaping flexibility; immersive visual display
  • Dimension : New Chorus and Phaser modes with interactive UI

System Requirements

  • Product Compatibility : For the most up-to-date system requirements and host compatibility details
  • Operating Systems : OS X 10.8-10.14 - macOS 10.12 (Sierra) Windows: 7, 8, & 10
  • Plug-in Formats : VST2, VST3, AudioUnit (Mac Only), AAX (Real-time & AudioSuite; 64-bit only), RTAS (Real-time & Audiosuite (DPM); 32-bit only)
  • PLUG-IN TYPE : Pitch / Vocal Processing, Noise Reduction / Restoration
  • PLUG-IN FORMAT : AAX 64-Bit, RTAS, AudioSuite, AU, VST2, VST3
  • OPERATING SYSTEM : Mac, Windows
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