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Se Electronics BL8 Omni-Directional Boundary Microphone Piano/Conference Mic

Se Electronics BL8 Omni-Directional Boundary Microphone Piano/Conference Mic

Omni-Directional Boundary Microphone, 1/2 In. True Condenser Capsule, 20 Hz - 20 kHz, Includes Pouch

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Regular price $205.00
Sale price $205.00 Regular price $339.00
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Features
    • Hand-crafted 1/2 in. true-condenser sE8 omni capsule for detailed pickup
    • Transformerless Class-A circuitry handles up to 163 dB SPL cleanly
    • Character switch selects classic or modern voicing
    • Switchable 80/160 Hz low-cut filter trims room rumble and HVAC noise
    • Gold-plated 3-pin XLR connector and protective pouch included
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    • BL8 omni Microphone
    • Protective Pouch

SKU: SKU: BL8 omni U

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Product Description

The BL8 omni is a low-profile boundary microphone built to sit flat on a surface and pick up sound from every direction around it. Its hand-crafted 1/2 in. true-condenser capsule, the same sE8 omni capsule used across the sE small-diaphragm line, covers 20 Hz to 20 kHz with 50 mV/Pa sensitivity and a 14 dB(A) noise floor, so quiet detail comes through clearly. Transformerless Class-A circuitry leaves headroom to spare: with the pad set to 20 dB the mic handles up to 163 dB SPL without distortion. That range makes it as comfortable inside the lid of a grand piano as it is taped to a stage lip for footwork and ambience.

A character switch moves the voicing between classic and modern. The switchable low-cut filter at 80 or 160 Hz trims HVAC rumble and foot traffic in conference rooms, and the 10/20 dB pad keeps loud sources under control. Both switches sit on the mic body, so setup changes take seconds.

The die-cast housing stands up to touring and permanent installs alike, and the gold-plated 3-pin XLR connector keeps the signal path clean over long cable runs. Powering is standard 48 V phantom at 5.0 mA, so it works with any mixer or interface.

At 5.47 x 3.74 x 1.12 in. and 538 g, the BL8 omni stays out of sight lines, which suits boardroom video calls, lectern and altar coverage, theatre stage pickup, drum kit ambience, and room capture in the studio. A protective pouch is included.

Features

    • Stays Out Of The Shot

      A housing just 1.12 in. tall sits flat on a piano lid or stage floor, keeping camera angles and audience sight lines clear during filmed events and services.

    • Detail At Low Volume

      A 14 dB(A) noise floor and 50 mV/Pa sensitivity capture quiet speech across a boardroom table without the hiss that forces you to fight the recording later.

    • Headroom For Loud Sources

      The 10 and 20 dB pad settings raise maximum SPL to 163 dB, so close-miked piano hammers and full stage volume stay clean instead of clipping.

    • Two Voicings, One Mic

      A character switch moves between classic and modern tonality, letting one microphone cover speech reinforcement and music recording without swapping gear mid-session.

    • Built For Daily Handling

      The die-cast metal body and gold-plated XLR connector stand up to touring and permanent installs while keeping signal loss out of long cable runs.

Technical Specifications

  • Product Type Omni-Directional Boundary Condenser Microphone
  • Recommended Use On-stage miking, grand piano, boardroom speech, room ambience
  • Capsule Hand-crafted 1/2 in. small-diaphragm true-condenser
  • Polar Pattern Omni-Directional
  • Frequency Range 20 Hz - 20,000 Hz
  • Sensitivity 50 mV/Pa (-26 dBV)
  • Max SPL (0.5% THD) 143 / 153 / 163 dB SPL (0/10/20 dB pad)
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