C414 XLII Multi-Pattern Condenser Microphone
AKG
C414 XLII Multi-Pattern Condenser Microphone
C414 XLII Multi-Pattern Condenser Microphone
Multi-Pattern Condenser Microphone With Nine Polar Patterns
Features
- Nine selectable polar patterns adapt to nearly any session
- Three attenuation levels handle sources up to 158dB SPL
- Peak-hold LED flags the shortest overload peaks instantly
- Three bass-cut filters reduce wind noise and proximity effect
- Lockable controls prevent accidental changes during live use
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What's Included in the box
- AKG C414 XLII Microphone
SKU: SKU: C414 XLII
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Product Description
Three attenuation levels (-6/-12/-18dB) extend headroom for close-up recording of high-output sources up to 158dB SPL, while three switchable bass-cut filters (160/80/40Hz) reduce wind noise, stage vibration, or proximity effect depending on the recording situation. A peak-hold LED displays even the shortest overload peaks, so engineers can catch clipping before it ruins a take. For live sound and permanent installations, all front-panel controls can be locked to prevent accidental changes.
Equivalent noise level is a low 6dB-A with an 88dB-A signal-to-noise ratio, and frequency response covers 20Hz to 20,000Hz. The microphone runs on 44 to 52V phantom power at 4.5mA and outputs through a balanced male XLR connector, finished in dark gray with gold accents.
The combination of nine polar patterns, three attenuation levels, and three bass-cut filters makes the C414 XLII adaptable to lead vocal sessions, acoustic guitar and piano recording, orchestral and choir capture in omni mode, and broadcast or podcast setups where a single reference-quality microphone needs to cover more than one recording scenario.
Features
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Nine Polar Patterns
Omnidirectional, wide cardioid, cardioid, hypercardioid, and figure-of-eight patterns let the C414 XLII adapt to nearly any studio recording situation.
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High-SPL Headroom
Three switchable attenuation levels of -6, -12, and -18dB extend headroom to handle high-output sources up to 158dB SPL without added distortion.
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Overload Peak Detection
A peak-hold LED displays even the shortest overload peaks, helping engineers catch and correct clipping before it ruins an entire take.
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Adjustable Bass-Cut Filtering
Three switchable bass-cut filters at 160, 80, and 40Hz reduce wind noise, stage vibration, or proximity effect depending on the setup.
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Reliable Live Performance
All front-panel controls can be locked for live sound and permanent installations, preventing accidental setting changes during a live show.
Technical Specifications
- Product Type Multi-Pattern Studio Reference Condenser Microphone
- Polar Patterns Omnidirectional, Wide Cardioid, Cardioid, Hypercardioid, Figure of Eight
- Frequency Response 20 Hz to 20,000 Hz
- Sensitivity 23 mV/Pa
- Equivalent Noise Level 6 dB-A
- Max SPL 158 dB SPL (With -18dB Pad)
- Signal to Noise 88 dB-A
- Bass Cut Filter 160 Hz, 80 Hz, 40 Hz
- Electrical Impedance 2200 Ohms
- Powering 44 to 52V, 4.5 mA
- Connector Balanced XLR, Male, 3-pin
- Weight 300 g
- Dimensions 38 mm L x 50 mm W x 160 mm H